Voluptas dolendi the gestures of Caravaggio the film
[…] Vitali’s work shows how few times we have had the opportunity to see (not only at the cinema), the pleasure of melancholy and the liberation of voluptuousness […] the melancholy that runs through the entire film is underlined by the double harp by Mara Galassi, from the magical, estranging, surreal interpretation of Deda Cristina Colonna […] by the important costumes […] of Barbara Petrecca and we are enveloped, it can be said, by the poetic beauty of film adaptation, photography and the direction (moving) by Francesco Vitali […] the imaginary of Caravaggio is here expressed in the highest condition, […] TRACCE – Pino Bertelli